The story of the Indian Diaspora–the great migration of Indians from their homeland to the New World–through one woman’s memories of her remarkable family. . Delving back into the world into which her grandmother was born in a tiny village in Kathiawar, India, Mira Kamdar begins a wondrous journey into the past. She follows her family as it emigrates from the feudal, rural India of 1900 to the bustling streets of Rangoon in the 1920s and 1930s. After a harrowing flight out of war-torn Burma, the family returns to their profitable businesses, only to be stripped of everything and expelled by the Burmese dictatorship in the early 1960s. The family begins a new life in Bombay. It is there that they are first introduced to America. Hollywood captures the imagination of Kamdar’s father, who, at the age of nineteen, is packed off to make the family’s fortune in the United States. We witness his travails as one of the first Indian immigrants to the US in the 1950′s and see how his children and grandchildren grapple with a multi-ethnic identity in post-modern America. Kamdar retraces pivotal historical moments-Satyagraha and India’s independence movement, World War II, the “brain drain” years of a triumphant American military-industrial complex-but never strays from the intimate experiences of her own family. With rich, vivid details of her relatives’ many fascinating lives, she recreates the moods and atmospheres of lost times and places and explores the borderless world of Indian-Americans today.Tracing her family’s odyssey from her grandmother’s 1908 birth in rural India through her own 1960s childhood in the boomtowns of the American West Coast, Mira Kamdar paints a poignant but anti-nostalgic portrait. It’s true, she notes, that Motiba (Hindi for “Grandmother”) spoke, moved, and lived with a calm assurance that came from her roots in an ancient culture inaccessible to her cosmopolitan, mixed-ethnicity descendants. But she had also been pulled out of school at age 12, as was customary to preserve a girl’s virtue, and was fiercely proud that her granddaughters had access to the education forbidden to her. Kamdar, whose prose is as subtle as her perceptions, captures the timeless appeal of village life when describing a visit to her grandmother’s birthplace, but she also vividly evokes the vibrant sophistication of Rangoon, where her family made its fortune, as well as the colonial and racial tensions that forced most Indians out of Burma after World War II. Her father came to study in America and stayed to marry the red-haired daughter of Danish American farmers. Motiba’s far-flung descendants remain close, even if they now keep in touch by e-mail as much as through the lengthy visits traditional among Indian relatives. In a moving final passage, Kamdar deems this new global community consistent with her grandmother’s Jain belief that “we are all sojourners… adopting endless, myriad identities.” –Wendy Smith
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